Posts tagged Projects
Knitting Lydia Gluck’s Woodwardia Pullover - A Spring Project
Loom & Spindle - Woodwardia Swaeter-1.jpg

Knitting Lydia Gluck’s Woodwardia Pullover

A Spring Project

Heading into Spring we’re enjoying the warming weather. Though, with crisp mornings and cool evenings we’re still seeking out layering pieces to transition the day.

The Woodwardia pullover by Lydia Gluck (co-founder & editor of Pom Pom Quarterly) is the perfect spring staple. With its relaxed fit and understated silhouette, it offers both comfort and warmth all with a lightness in hand.

We recently added this piece to our spring wardrobe, having worked it up in Hamelton No. 1 by BC Garn. With its top-down in-the-round construction and botanical design details it was an enjoyably simple knit.

Below, we take a closer look at some of the finer details of Woodwardia and review Hamelton No. 1.

Enjoy!


PROJECT

Knitting Woodwardia By Lydia Gluck in Hamelton No. 1 by BC Garn

Loom & Spindle - Woodwardia Swaeter-2.jpg

AIM

Knit the Woodwardia pullover to explore:

  • Top-down, in-the-round construction

  • Knitting with Hamelton No. 1, its suitability and yarn characteristics, and

  • The resulting fabric and hand-feel

SKILLS

  • Knitting in the round

  • Simple increases and decreases

  • Casting off in pattern

  • Wet blocking

TOOLS

  • Body: 4.5mm (US 7) circular needles (we used Chiaogoo Spin Bamboo Interchangables)

  • Ribbing: 4mm (US 6) circular needles (we used Chiaogoo Spin Bamboo Interchangables)

MATERIALS

 

PATTERN

The Woodwardia pullover pattern by Lydia Gluck was first published in Pom Pom Quarterly, Issue 28: Spring 2019. It is available to purchase on RAVELRY or via the POM POM website.

Loom & Spindle Woodwardia Pattern.jpg

Process

The pattern was worked as written with one design modification to the neckline.

Loom & Spindle - Woodwardia Swaeter-14.jpg

SIZE

We knit a size 3 for a finished bust circumference of 120cm (47.25'') – to be worn with 20cm (8'') positive ease.

SETUP

We knit the pattern as written for the body and sleeves and modified the neckline.

MODIFICATIONS

As the Australian spring can be relatively temperate we thought the rolled neck collar might be a bit too warm for our climate.

We opted for crew-neck style neckline. The modification was simple, we followed the instructions for the collar as written and cast-off in pattern after 9 rows of ribbing was complete.

Adding short rows to the back neck was briefly considered. However, having tried on the pullover before the neckband was started it was deemed unnecessary as the neckline was quite generous and sat evenly around the shoulders.

Loom & Spindle - Woodwardia Swaeter-3.jpg
Loom & Spindle - Woodwardia Swaeter-6.jpg
Loom & Spindle - Woodwardia Swaeter-8.jpg
Loom & Spindle - Woodwardia Swaeter-7.jpg

FINISHING

To finish, the garment was immersed in a bath of cool water for around 10 minutes, the water was drained and the pullover pressed in a towel to remove the excess. The piece was pinned out on a blocking matt, attention given to shaping the jumper to the dimensions provided in the pattern and aligning the stitches.

Once dry the gauge measured at:

  • 18 stitches over 10cm (4'')

  • 28 rows over 10cm (4'')

 The total yarn used:

  • 482g (17oz) / approx. 964m (1054y), or

  • 10 balls Hamelton No. 1

Loom & Spindle - Woodwardia Swaeter-17.jpg

INSIGHTS AND OPPORTUNITIES

CONSTRUCTION

Being comfortable reading knitting patterns, we found the top-down in-the-round construction easy to follow. And, being familiar with the pattern skills, the garment was straightforward to knit. The purl stitch detail on the raglan sleeves was intuitive and easy to remember.

Though the styling was simple, the design included some smart design elements for a relaxed and comfortable fit – lots of positive ease, a longer back hem and generous neckline.

Knit in a worsted weight yarn and with some dedication to the project the pullover worked up quickly.

Loom & Spindle - Woodwardia Swaeter-15.jpg
Loom & Spindle - Woodwardia Swaeter-16.jpg

THE PULLOVER

Using Hamelton No. 1 and the needle sizes suggested, we were able to achieve the gauge specified. The measurements of the finished garment matched those stated in the pattern. Yes!

Our modification - the crew neckline, sits flat and evenly around the shoulders. 

We came in just under 500g to complete the project. The resulting pullover is lightweight and warm, and we can confirm very wearable throughout the day!

Loom & Spindle - Woodwardia Swaeter-11.jpg

THE FABRIC

We love the look of Hamelton No 1 in the knitted fabric. The worsted 2-ply construction results in a somewhat textured surface, reminiscent of handspun yarn in hand-feel and appearance.

The slight lustre of the yarn remains bright in the fabric. We have experienced some pilling on the elbows, but this can be expected on a worsted spun 2-ply yarn with moderate twist. We think after a few brushes this will settle, making for a hard-wearing sweater.

Our tester did note a slight pique to the yarn. Though wearable against the skin, they did prefer to wear a long sleeve garment under this yarn.

Loom & Spindle - Woodwardia Swaeter-18.jpg

FINAL THOUGHTS 

For those new to knitting garments, the Woodwardia pullover would make a great introduction to top-down in-the-round construction.

The skills required, and the layout of the pattern would be approachable for those interested in extending their knitting skills.

Hamelton No. 1 produced a light yet warm fabric with interesting surface texture.

The piece itself is extremely wearable with lots of positive ease for layering-up on those spring days that start cool, and warm as the day progresses.

Loom & Spindle - Woodwardia Swaeter-13.jpg

THANK YOU FOR READING!

Would you like to save this project for later? Add it to your Ravelry favourites HERE.

Knitting Woodwardia in Hamelton No. 1? Here’s what you’ll need:

  • Size 1  - 10 Balls

  • Size 2 - 10 Balls

  • Size 3 - 13 Balls

  • Size 4 - 13 Balls

  • Size 5 - 15 Balls

  • Size 6 - 15 Balls

+ Subscribe to the Loom & Spindle e-newsletter and get a 10% discount on the Hamelton No. 1 range!


 

Let’s Keep Knitting…

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Swatching Grace by Denise Bayron: An experiment stranding Semilla Grosso with Silky Kid
Loom & Spindle - Grace Swatch

Swatching Grace by Denise Bayron

An experiment stranding Semilla Grosso with Silky Kid

It’s been an exciting year here at Loom & Spindle, we’ve spent many happy hours sourcing unique yarns and fibres from all over the world to bring you a fresh palette of textures to explore. 

One of our new favourites is the GOTS certified, Semilla Grosso by BC Garn. A smooth round yarn with exceptional stitch definition.

We’ve been enjoying the process of swatching and planning projects with Semilla Grosso and we’re eager to share all our experiments with you.

Today we’re taking a look at our swatch for the Grace pullover by Denise Bayron, as featured in Laine Magazine Issue 8.

This swatch almost didn’t make the cut. Grace is knit in a super bulky weight yarn at 2.75 stitches per inch. At a standard gauge Semilla Grosso knits up much finer at around 3.5-4.5 stitches per inch. 

Our pre-swatching suggested that we just weren’t going to get gauge using Semilla Grosso, but we had one last trick up our sleeve…

Read on to find out how we untangled this ball of yarn + how to get a 10% discount on the Semilla Grosso range!


PROJECT

Swatching Grace by Denise Bayron using Semilla Grosso and Silky Kid

Loom & Spindle - Grace Swatch

AIM

Knit a swatch for the Grace pullover to explore:

  • If an appropriate gauge can be obtained using Semilla Grosso

  • The fabric’s hand-feel at the resulting gauge, and

  • The suitability of Semilla Grosso for a pullover intended for a ‘super bulky’ weight yarn

SKILLS

  • Casting on

  • Casting off

  • Knitting flat

  • Working a simple cable pattern

  • Translating pattern instructions into swatch parameters

TOOLS

  • 5mm (US 8) knitting needles (we used Chiaogoo Spin Bamboo Interchangables)

MATERIALS

 

DESIGN

The swatch was based on the Grace pullover by Denise Bayron, as published in Laine Magazine Issue 8.

The swatch itself was to be very simple, we wanted to test Semilla Grosso in the knitted fabric and also work-in a 1x1 rib and one cable repeat to see how the design details would translate. The resulting swatch was knit over 26 stitches incorporating these design elements.

Loom & Spindle - Grace pullover Swatch-3.jpg

DEVELOPMENT

The pre-swatch – Semilla Grosso

We tried a few different needle sizes on some pre-swatch swatches. 

Using the needle size recommended in the pattern, 9.0 mm (US 13), the resulting fabric was extremely loose and airy and was not going to be suitable for garment construction.

 Sizing down, the fabric was more cohesive but lacked structure.

We found a satisfactory fabric was obtained on 4mm (US 6) needles, with a resulting 5 stitches per inch. The fabric was smooth, felt durable and had spring. Unfortunately, at this finer gauge the pattern as written would become unworkable for our intended size.

Loom & Spindle - BC Garn - Semilla Grosso - White 01-2.jpg

The final Swatch - Semilla Grosso stranded with Silky Kid

Before giving up we tried one last swatch stranding Semilla Grosso with Silky Kid by Kremke Soul Wool. Our theory was, that by adding a strand of mohair we could knit at a looser gauge with the mohair halo filling in the ‘gaps’ to help maintain the structure of the fabric.

So finally, on 5mm (US 8) needles we discovered a soft silky fabric that had both stitch definition and structure, was surprisingly drapey and had a luxurious halo. And, the resulting gauge would allow us to work the pattern as written with only a few minor adjustments!

Loom & Spindle - Grace Pullover Swatch-1.jpg
Loom & Spindle - Grace Pullover Swatch-8.jpg
Loom & Spindle - Grace Pullover Swatch-7.jpg
Loom & Spindle - Grace Pullover Swatch-10.jpg

FINISHING

The swatch was soaked in a bath of cool water for around 5 minutes, the excess water pressed out using a towel. The swatch was then pinned out on a blocking mat, attention given to straightening the cable detail and aligning the stitches before being allowed to dry.

Final measurements:

  • 14 stitches over 10cm (4'')

  • 20 rows over 10cm (4'')

  • Overall dimensions, 15cm x 15cm (6'' x 6'')

INSIGHTS AND OPPORTUNITIES

GAUGE

With our pre-swatches telling us that Semilla Grosso and the Grace pullover might just not be compatible, we were really pleased to find a workable gauge when adding a strand of mohair.

Loom & Spindle - Grace Sweater Swatch-2.jpg

FABRIC

Semilla Grosso delivered smooth well-defined stitches, making the cable pattern pop. The mohair halo supported the looser gauge and provided structure and durability to the knitted fabric. These elements all came together to create a drapey fabric with a lustrous look and silky hand-feel.

Loom & Spindle - Grace Sweater Swatch-4.jpg

FINAL THOUGHTS

The super bulky weight yarn used in the pattern lends a certain look and feel to the original piece. Though we haven’t recreated this fabric, we think we’ve come up with something interesting that could be applied to this pattern with great results.

Ultimately, stranding Semilla Grosso with Silky Kid turned the Grace pullover into a viable project option for these yarns. We’ve done some preliminary calculations on working the pullover at this gauge and think we’ll get some exciting results. Stay tuned!

Loom & Spindle - Grace Sweater Swatch-6.jpg

THANK YOU FOR READING!

Would you like to save this swatch for later? 

Add this swatch to your Ravelry favourites HERE.

+ Subscribe to the Loom & Spindle e-newsletter and get a 10% discount on the Semilla Grosso range!


 

Keep on swatching…

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Swatching with Cotton Fine: A knitted sample of Tegna by Caitlin Hunter
Loom & Spindle - Cotton Fine - Tegna Swatch-2.jpg
 

Swatching with Cotton Fine

A knitted sample of Tegna, by Caitlin Hunter

Here at Loom & Spindle, we’re proud omni-crafters! Passionately dabbling in all things fibre.

Today we’re taking a look at our first knitted swatch for Cotton Fine. Specifically, a sampler of Caitlin Hunter’s popular Tegna pattern.

We thought this light-weight summer style would be a good match for this sumptuous blend of Pima cotton and merino wool.

We knit the swatch to explore the interaction between gauge, knit fabric and fibre and assess the suitability of the yarn for a knitted project featuring lacework.

Below, we’ve included our notes on how we interpreted the pattern to become a swatch and our thoughts on the resulting fabric.

This ‘recipe’ is a great starting point if you want to have a go at swatching for your next knitting project.

P.S. At the end we’ve detailed the yardage required for all sizes should you wish to knit your own!

Loom & Spindle - Cotton Fine - Tegna Swatch-5.jpg

PROJECT

A knitted sample of Tegna by Caitlin Hunter, using Cotton Fine by Brown Sheep Co.

AIM

Knit a swatch in Cotton Fine to explore:

  • The fabric’s hand-feel at the resulting gauge

  • The suitability of Cotton Fine for lacework, and

  • Knitting garments in Cotton Fine

SKILLS

  • Casting on

  • Casting off

  • Knitting flat

  • Reading charts for lacework

  • Familiarity with decreasing, yarnovers, knitting through the back loop

  • Translating pattern instructions into swatch parameters

TOOLS

  • 3.25 mm (US 3) circular needles (we used Chiaogoo Spin Bamboo Interchangables)

  • Scissors

  • Tapestry needle

MATERIALS

 

PLANNING

We focused on setting parameters for the piece and interpreting the pattern to accommodate the swatch.

SIZE

  • Working with the patterns suggested gauge of 22 stitches over 10cm (4'') in stocking stitch and the stitch count for the lace repeat, we decided three lace repeats would provide a reasonable sample size and a visually balanced sample.

  • 60 stitches were required for the cast on.

SETUP

  • Cast on: Long-tail method

  • Cast off: A tapestry needle to thread the yarn tail through live stitches

LACEWORK

  • The pattern details the lace repeat both written (worked in the round) and as a chart.

  • We chose working with the chart as the visual aid was convenient when working the swatch flat.

  • We used stitch markers to define the beginning and end of each lace repeat.

NOTES

  • As 3.25mm was the needle size suggested in the pattern, we thought this would be a good starting point to explore gauge.

  • Our swatch will be knit flat as noted above. Please note the Tegna pattern, as written, is worked in the round.

METHOD

STEP 1

60 stitches were cast on using the long-tail method.

STEP 2

The lace repeat was worked flat until the end of the chart.

STEP 3

Approximately 10cm (4'') was knit in stocking stitch to complete the swatch.

STEP 4

The live stitches were secured by simply threading the yarn tail through the loops using a tapestry needle.

FINISHING

The swatch was soaked in a bath of cool water for around 5 minutes, the excess water pressed out using a towel. The swatch was then pinned out on a blocking matt, attention given to opening up the lacework and aligning the stiches that frame the lace detail.

GUAGE

The final measurements were:

  • 22 stitches over 10cm (4'')

  • 28 rows over 10cm (4'')

  • Overall dimensions, 20cm x 25cm (8'' x 10'')

INSIGHTS AND OPPORTUNITIES

THE GAUGE

Amazingly, we got gauge! When does that ever happen ;)

Though, it’s important to note that we worked the swatch flat. Working in the round could produce a slightly different row gauge.

Based on these results we’d go ahead and knit the garment on 3.25mm needles, monitoring row gauge and adjusting the body length in the stocking stitch section if necessary.

Loom & Spindle - Cotton Fine - Tegna Swatch-7.jpg

THE FABRIC

At this airy gauge, Cotton Fine has produced a soft drapey fabric with a smooth hand-feel.

The cotton/merino blend offers great stitch definition, the detail in the lace panel is clear and structural elements well defined.

The resulting texture is feminine and cool.

Loom & Spindle - Cotton Fine - Tegna Swatch-1.jpg

FINAL THOUGHTS

The lacework was intuitive and the pattern easy to follow. Using stitch markers definitely helped us track the lace repeats and catch those missed yarnovers!

Cotton Fine worked up nicely and we think it has great potential for light-weight knitted garments.

Tegna is an exciting introduction to both lacework and knitted garment construction and is highly recommended to anyone motivated to give it a try.


THANK YOU FOR READING!

Tegna by Caitlin Hunter can be found on RAVELRY.
Knitting in Cotton Fine? Here’s what you’ll need:

  • X-Small - 4 Skeins

  • Small - 4 Skeins

  • Medium - 5 Skeins

  • Large - 6 Skeins

  • X-Large - 6 Skeins

  • 2X-Large - 6 Skeins

  • 3X-Large - 7 Skeins

 
 

More on Cotton Fine…

 

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Swatching with Cotton Fine: A woven Sampler in Plain-Weave
Loom & Spindle - Cotton Fine Swatch at 10epi-14.jpg
 

Swatching with Cotton Fine

A woven Sampler in Plain-Weave

With the recent introduction of Cotton Fine to the Loom & Spindle yarn range, we’ve been excited to explore our new yarn.

Our first swatch is a woven sampler in plain-weave, woven at a sett of 40ends/10cm (10epi) on a rigid heddle loom.

Our aim was to explore the fabric’s hand-feel, interaction of colour and the effect of using a finishing technique to full the fabric and set the fibres.

We’ve detailed the project below to offer insight into our planning and methodology, and our thoughts on the resulting fabric. This recipe is a great starting point if you want to have a go at swatching for your next weaving project!

 
Loom & Spindle - Cotton Fine Swatch at 10epi-16.jpg
 

PROJECT

A woven sampler in plain-weave, woven at 40ends/10cm (10epi), using Cotton Fine By Brown Sheep Co.

Loom & Spindle - Cotton Fine Swatch at 10epi-3.jpg

AIM

Weave a plain-weave fabric in Cotton Fine to explore:

  • The fabric’s hand-feel at a sett of 40ends/10cm (10epi)

  • The interaction of colour when using three shades; and

  • The effect of using a finishing technique to full the fabric / set the fibre.

 SKILLS

  • Calculating yardage

  • Warping a rigid heddle loom

  • Preparing the warp for weaving

  • Hem stitching, to secure the warp and weft

  • Balanced plain-weave

 TOOLS

 MATERIALS

PLANNING

As the materials and tools were pre-established, planning was limited to determining an appropriate size for the sample, approximating the metreage required, and defining colour placement. 

SIZE

It was determined that a sample size of 30cm x 45cm (12"x 18") would be sufficient to examine hand-feel, colour interaction and allow for any shrinkage that may occur during finishing.

METREAGE REQUIRED FOR WARP

  • Length of piece, 45cm + extra length for warping, 60cm (30cm each end)
    Total warp length, 105cm

  • Warp width, 30cm X No. warp ends at 40ends/10cm
    Total no. warp ends, 120

  • Metreage required for warp:

= No. warp ends x Total warp length
= 120 x 1.05m
= 12600cm or 126m

METREAGE REQUIRED FOR WEFT 

  • At 40ends/10cm, No. weft passes over 45cm = 180

  • Metreage required for weft:

= No. weft passes x Warp width
= 180 x 30cm
= 5400cm or 54m

TOTAL METREAGE

  • Total metreage required

= Warp + Weft
= 126m + 54m
= 180m

COLOUR PLACEMENT

  • The placement of colour was kept simple, the three colours being divided in blocks evenly across both warp and weft.

  • Warp, 40 ends per colour

  • Weft, 60 ends per colour (or 15cm of length, per colour)

 NOTES

  • These calculations tell us that at 196m per skein, one ball of Cotton Fine would be enough to make a sample of this size. 

  • As the plan was to use three colours in equal quantities in this piece, we divided the total metreage by three to determine the amount for each colour, 180m divided by 3 = 60m per colour.

METHOD

STEP 1

The rigid heddle loom was warped and colours placed as per the planning notes.

Loom & Spindle - Cotton Fine Swatch at 10epi-9.jpeg
Loom & Spindle - Cotton Fine Swatch at 10epi-8.jpeg

 STEP 2

3cm of ground weave was woven with leftover Cotton Fine to help evenly space and tension the warp.

STEP 3

Weaving began using the first colour in the sequence,.

Once the fabric was established, a row of hem-stitch was used to secure warp and weft at the beginning of the piece. 

Loom & Spindle - Cotton Fine Swatch at 10epi-4.jpg

STEP 4

Weaving continued, changing colours as required until each colour section was completed. 

Once complete, a row of hem-stitch was used to secure warp and weft before cutting the piece from the loom. 

Loom & Spindle - Cotton Fine Swatch at 10epi-5.jpg

FINISHING

The sample was finished by undergoing a full wash cycle in a washing machine and dried in a tumble dryer using a regular heat setting.

This treatment contradicts the recommended care instructions for Cotton Fine, but we thought this experiment was warranted to help set the weave and allow the fibres to bloom.

INSIGHTS AND OPPORTUNITIES 

THE FABRIC

The resulting fabric has a great lightness and after finishing is quite soft to the touch. 

At this sett, the fabric feels smooth and has excellent drape. 

Though it’s not a firm weave, the fabric feels like it would be somewhat hard-wearing and have some longevity when used in pieces that will see some wear-and-tear. 

THE COLOUR

The effect of the bold colour blocking produces a homey fabric and in the chosen colour palette has a somewhat vintage feel. 

Working with three colours allows for endless permutations that can be used to influence the look and feel of the fabric.

APPLICATIONS

From our results we think the fabric would be best suited to household napery and table linens.

The drape suggests that with a bit of fine tuning there is scope to work the fabric into garments, maybe simple summer tees and tunics. 

We would like to experiment next by working the yarn up at a finer gauge with the aim of creating a denser fabric that could be used for towelling applications in the home – washcloths, tea towels, etc.

 
 
Loom & Spindle - Cotton Fine Swatch at 10epi-15.jpg

Thank you for reading!

To learn more about Cotton Fine please click HERE.

 
 
 
 

Let’s Get Started…

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How to Weave a Tapestry Sampler
Loom & Spindle Tapestry Samplers

For a while now I’ve been working on a special project for Loom & Spindle, a weaving yarn that's structure and composition has been carefully considered and selected specifically for tapestry weaving.

Exciting, I know! I’ll have all the details for you in coming weeks. 

But for now, I’d like to focus on one element of the project, weaving samples (or samplers, or swatches or whatever you’d like to call these tiny woven fabrics).

Sampling has been an important part of the project as it’s given me the opportunity to work with this yarn on a small scale and test the arrangement of elements that form the tapestry fabric – things like warp sett, weft weight, and colour harmony or disharmony.

Weaving a test fabric can be the defining moment in a new tapestry project. This little experiment between fibre and form will help you decide whether or not your configuration will work cohesively and convey the feeling you intended.

In preparing for the upcoming yarn launch I thought it would be useful to weave a sample of each new yarn colour to explore and share the fabric each produced. My thoughts were that this will help us both choose colour palettes and determine the suitability of the yarn for any future projects you or I might have in mind.

Here’s my method for weaving a tapestry sampler…


PROJECT: Tapestry SAMPLER

INTENTION

Make a small woven tapestry sample using Woolsey: A Weaving Yarn, to study the colour and texture of the woven fabric produced.

SKILLS

  • Plain weave.

  • Double half-hitches to secure warp and weft.

  • Weft changes using the half-hitch method.

*To learn more about these skills you might like to check out our book - LINE SHAPE TEXTURE.

PLANNING

  • My samples will measure 10cm x 10cm (or 4" x 4"), I find this sample size quick to weave and the warp sett is easily determined.

  • My set-up will comprise a frame-loom warped with cotton thread at 16 ends over 10cm (4 ends per inch).

  • I will use a ground weave of warp thread to evenly space the warp and provide a firm base to begin the sample.

  • The warp and weft will be secured with a row of double half –hitches at either end.

MATERIALS

METHOD

STEP 1
Space the warp evenly over the 10cm (4") warp width.
While carefully maintaining the warp spacing, begin the weft yarn by establishing a row of double half-hitches.
Ensure each hitch is knotted firmly to secure the weft to warp.

STEP 2
Using plain weave, weave in the body of the fabric until the piece measures 10cm (4") in length. If needed, begin any new weft threads using the half-hitch method.

STEP 3
Finish with a row of double half-hitches to secure the fabric.

STEP 4
Cut from the loom and finish as desired.

Loom & Spindle - Tapestry Sampler Method

APPLICATION

  • The method is fairly straight forward with no special notes to consider.

  • No modifications were made when weaving the samples.

  • To ensure straight edges and symmetry I did take extra care when working close to the selvages.

FINISHING

  • No finishing techniques were applied but I might use this sample in the future to test the effects of steam blocking on this yarn.

 

INSIGHTS AND OPPORTUNITIES

  • This method enables me to set up and weave a tapestry sample in about 30 minutes, allowing me to very quickly sample a new yarn or fibre.

  • It’s such a versatile method that it would also be useful for working a series of small tapestry projects.

Loom & Spindle Tapestry Sampler

THANK YOU FOR READING!

Our new weaving yarn has arrived, find Woolsey here.

 
 

FOR MORE INFO ON THE SKILLS USED IN THIS TUTORIAL, CHECK OUT OUR BOOK LINE SHAPE TEXTURE.

FREE SAMPLE AVAILABLE VIA OUR BOOK PAGE!


LET’S KEEP LEARNING…

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